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The Culturally Engrained Ideals in Waga Koi Wa Moenu

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            There are often times where a solution to a problem seems simpler than it actually is and it is not until one comes closer to reaching that solution that one realizes how far from it they actually are. One such example of this is seen in the Japanese movie, Waga Koi Wa Moenu released in 1949. Throughout the film, the main character, Hirayama Eiko wishes for equality among men and women and thus takes steps to achieve that ideal. However, as she progresses farther along to reach this ideal she comes to understand how deeply engrained this inequality truly is.             The film starts by having Hirayama meet an activist named Kishida Toshiko. There, Kishida tells Hirayama of her ideals, saying that until now women have been raised in submission to men’s desires and how she believes that women should not be treated as slaves and are entitled to the same rights as men. As Hirayama i...

The Big Boss Screen-cap Analysis

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             The image is a close-up to medium shot of a man with silk dark hair and light goatee. The man is wearing a traditional eastern blue top and glasses. The man is centered on screen with a slight low angle shot. The shot also shows that the man is holding a wooden birdcage with two small green, yellow, and blue parakeets inside on his left hand. His right arm is at his side going downwards out of the shot. The man and the birdcage is in focus while the background is out of focus. However, a red curtain making up the lower half of the background is visible while the top half shows what appears to be white ceiling tiles. The lighting of the shot is directly on the man, going so far as to put a glare on his glasses. We can see that the man has a dismissive look on his face with a slight frown.             The man in the shot is Hsiao Mi, who is the main antagonist...

Intro post

Hello! This will be the blog that will use for East Asian Film Spring 2019. 楽しみしてください!